The Requiem of a City Church

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There is a document giving as the foundation date of the church, but this is most probably a 14th-century forgery. Over time, there have been many alterations, resulting in its present-day aspect, unchanged since The interior of the church consists of a nave and two aisles that have conserved the ancient Gothic structure. The side chapels were added later on. It gives the impression of a robust three-dimensional building, despite the church's low height. The polygonal apse was replaced in the 14th century — by an early Gothic choir with three bays.

The central and the northern choir chapels were refitted in Baroque style.

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It is decorated with the monumental stucco alabaster Rococo sculpture Fall of the Angels by sculptor Karl Georg Merville. It represents a cloudburst of angels and cherubs , falling from the ceiling towards the ground. It was the last major Baroque work completed in Vienna. The centerpiece of the high altar is Maria Candia , a Byzantine icon of the Virgin Mary, belonging to the Cretan School of hagiography and named after the former capital now Heraklion , displayed as being carried by two archangels.

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In the northern chapel, the altarpiece Adoration of the Child is by Franz Anton Maulbertsch — The southern chapel, the Nikolauskapelle , has remained unchanged and retains its medieval aspect. Its traceried windows date from the 13th century. It displays Gothic stone sculptures under a baldachin St.

Catherine and St. Nicolaus and a wooden crucifix by Hans Schlais — This chapel was founded by a cook of the duke at about , giving thanks to the Lord for being acquitted of a poisoning case. The triumphal arch between the transept and the choir dates from the 14th century.

Its spandrel is decorated with The Last Judgment. The recently rediscovered frescoes from the early 15th century attest to the high quality of the art of painting in Vienna in those times. The Baptistery shows us in a niche the wooden statue Man of Sorrows It was once played by the year-old Joseph Haydn in Mozart 's Requiem was performed for the first time in this church at a memorial service for the composer on 10 December As Mozart hadn't finished this work at the time of his death, only the existing part was performed. One of those who attended the "festive funerary honors" was theater director Emanuel Schikaneder whose libretto was used by Mozart for The Magic Flute.

Above the entrance, on top of the pediment , resting on Doric columns by Antonio Beduzzi , stands a group with winged angels and St. Michael slaying Lucifer These sculptural figures were executed by the Italian sculptor Lorenzo Mattielli , who also sculpted the Hercules figures at the Hofburg entrance, just opposite the church. The high polygonal Gothic bell tower from the 16th century has become one of the symbols of the Inner City.

Michael's is famous for its Michaelergruft , a large crypt located underneath the church.

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Aristocrats were able to access their family crypts through marble slabs marked with their coats of arms in the church floor. The coffin of a deceased member of the family could then be lowered directly into the crypt via these marble slabs. Due to the special climatic conditions and constant temperature in the crypt, more than corpses were kept well preserved. Hundreds of mummified corpses, some still in burial finery or with a wig, are on display, some in open coffins, adorned with flowers or skulls, others decorated with Baroque paintings or with vanitas symbols.

The most famous among them is Pietro Metastasio — , the most famous writer of opera librettos of the baroque era. This will have consisted primarily of the residences of soldiers' wives and children. The excavation site was made permanently accessible to the public in ; the design of the presentation is by architect Hans Hollein.

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  • Tabernacle Choir Performs Requiem in Washington, D.C., and New York.

The first two performances were held at the John F. A recording of the Washington performances, attended by more than three thousand people, will be released later this year.

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The New York performances were held at the Cathedral of St. John the Divine, the largest Gothic cathedral in the world, on Tuesday and Wednesday, August 8 and 9. The August 8 performance was carried live on the Faith and Values cable television channel; an estimated 1, people attended those performances. Representatives and ambassadors from more than thirty countries attended the four performances. In addition, a reception was held in each city for diplomats and religious, community, and government leaders. In addition to the government guests, representatives from local and national media attended the concerts. In both instances, they performed a song and choir conductors Jerold D. Ottley and Donald H. Ripplinger were interviewed.

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Brother Jerold Ottley said the requiem was selected because of its important message. The choir had worked on the fourteen different parts of the requiem since May and presented some of the parts during their weekly broadcasts. Wendell Smoot, president of the choir, said the East Coast tour meant a great deal to the choir members.

The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church
The Requiem of a City Church The Requiem of a City Church

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