However, not all reviews of the film were negative. Hal Hinson from The Washington Post gave the film a mostly positive review, writing, " The Believers is a bizarre, occult thriller about the implications of religious faith.
And, though it doesn't expand upon its shock tactics as much as it would like to or make its theological points, the movie's dread atmosphere begins to seep into your head. From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Believer disambiguation. This article has multiple issues. Please help improve it or discuss these issues on the talk page.
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- Faith, Fire, Hope!.
- The Atlantic Crossword?
- KOKORO NO KOTOBA (Japanese Edition).
- Arabian Lights (The Old Tree Series Book 6).
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- The Believers Are But Brothers;
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Donovan, Barna William 10 January Andrews McMeel Publishing. Maltin, Leonard; Carson, Darwyn Leonard Maltin's Movie Guide The film takes us from the Transcendence Gospel Choir's shaky beginnings—a heartwarmingly chaotic, cacophonous group unable to agree on much of anything, arguing over appropriate wardrobe and learning to sing with transitioning voices—through their transformation into the polished, award-winning choir and close-knit family they are today, garnering major performances and winning an Outmusic Award in for the album Whosoever Believes.
Keep the faith
The intimate personal stories shed light on the complexity of balancing social change, family history, religion, and identity. At the heart of their dilemma is a struggle for acceptance within two worlds historically at odds with one another. I get to see both sides.
It's an absurd, especially cheerless movie about child-sacrificing devil-worshippers who've slipped out of Africa and, via East Harlem, have come down into midtown Manhattan to infiltrate the ranks of the white establishment. In addition to everything else that's wrong, ''The Believers'' is more than a little bit racist.
The Believers - VICE Video: Documentaries, Films, News Videos
John Schlesinger has directed Mark Frost's not-great screenplay based on Nicholas Conde's book, ''The Religion'' as if he were a tourist on a day trip to an exotic ghetto. The movie is full of snaps of picturesque voodoo ceremonies utilizing fresh chicken blood, decapitated cats and, ultimately, small boys. Schlesinger, the man who made ''Darling,'' ''Midnight Cowboy,'' ''Sunday, Bloody Sunday'' and ''The Falcon and the Snowman,'' may not believe this nonsense, though the movie pretends to. When you hear bongo drums, you know the devil isn't far off.
An evil unguent causes the eruption on its victim of a frightful sore that emits more insects than the trunk of a decaying redwood tree. A man who appears to have a bad case of ulcers actually has a belly full of snakes. Humble, God-fearing folk clutch their rosaries and crucifixes and fight the powers of one graven image with those of another.
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